Some are fascinated by it. They have it at homes just to quench their desire. For them, it is merely a showcase piece. Not for her, though. She touches, feels and immerses into Veena.
It was an inspired performance. Bombay Jayashri signed off season 2019 in style when she gave a concert for Narada Gana Sabha on the penultimate day of year 2019.
He wears a deceptive personality. When on stage, however, Abhishek Raghuram is an artist par excellence. What stands out in the vocalist Abhishek is his total immersion into the job on hand.
An erudite scholar, Sangitha Kalanidhi-designate S. Sowmya is a traditionalist's delight. A copy-book stylist, she is a no show-woman. She has a no-nonsense approach to music.
Form is temporary, but class is permanent. Not for nothing, she has remained an important constituent of the December concert circuit for so many years.
Time just flew, commented an young girl coming out of the two-and-a-half hour concert of Bombay Jayashri for Mylapore Fine Arts Club on December 24, 2019.
She is a long-haul player. Season after season, she turns out to sing. Many seasons have gone by since her maiden concert. Her commitment, however, has not dimmed.
Elegance marked Bharathanatyam exponent Shobana performance for Krishna Gana Sabha on 21st December , 2019. The audience was wonder-struck by the way she displayed each and every expression with grace and class in her unique style.
A darling of the audience, Aruna Sairam never lets her die-hard fans leave her concert unhappy. Time without number she had done this. Her concert for Sri Parthasarathy Swami Sabha on December 19, 2019 was no different.
|Music is all about experiencing, says Ram Vasudevan|
|Sri Shyama Shastry's swarajathi - a primer on Bhairavi|
|Navavaranams - A Study Of Oottukkadu Venkata Kavi And Dikshitar|
|Padma Shri for Bombay Jayashri|
|T.M. Krishna & the art of making news|
|Making Carnatic music inclusive|
|Changing gear, the lyrical way|
|Sri Kamalamba Jayati in Ahiri, a Dikshitar's masterpiece|