Abheri A sarvakalika raga
Abheri is an audava sampoora janya raga and is derived from the 22nd mela raga Kharaharapriya. It is a bhasanga raga, which admits suddha da (daivatham) as anya svara. » Sankarabharanam A Raga For Creativity
This is the 29th Mela raga belonging to the 5th Chakra Bana. It is prefixed with the word Dhira to suit the Melakartha index. In Hindustani and Western music, Sankarabharanam is taken as the basic scale. » Brindavana Saranga A Most Pleasing And Emotional raga
This is a minor raga, sung generally in the post-pallavi session. It has some krithis, made popular by famous artistes like M.S. Subbulakshmi, Maharajapuram Santhanam, T.N. Seshagopalan and Sowmya. » Bindumalini A minor raga
Bindumalini is the Janya of the 16th Mela Chakravaha. It is a Shadava-Shadava raga with vakra sancharas in both Arohi and Avarohi. » Vasantha An evening raga
Vasantha is derived from the 17th Mela Suryakantham, which corresponds to the Bhairav Thaat of Hindustani Sangeet. » Bilahari a favorite of Nadaswaram Vidwans
Bilahari is usually sung at the beginning of concerts, as a main raga or a sub-main raga with elaborate raga alapana, sangathis, neravals and intricate swaraprastharas in the pallavis. »
Abheri is an audava sampoora janya raga and is derived from the 22nd mela raga Kharaharapriya. It is a bhasanga raga, which admits suddha da (daivatham) as anya svara. » Sankarabharanam A Raga For Creativity
This is the 29th Mela raga belonging to the 5th Chakra Bana. It is prefixed with the word Dhira to suit the Melakartha index. In Hindustani and Western music, Sankarabharanam is taken as the basic scale. » Brindavana Saranga A Most Pleasing And Emotional raga
This is a minor raga, sung generally in the post-pallavi session. It has some krithis, made popular by famous artistes like M.S. Subbulakshmi, Maharajapuram Santhanam, T.N. Seshagopalan and Sowmya. » Bindumalini A minor raga
Bindumalini is the Janya of the 16th Mela Chakravaha. It is a Shadava-Shadava raga with vakra sancharas in both Arohi and Avarohi. » Vasantha An evening raga
Vasantha is derived from the 17th Mela Suryakantham, which corresponds to the Bhairav Thaat of Hindustani Sangeet. » Bilahari a favorite of Nadaswaram Vidwans
Bilahari is usually sung at the beginning of concerts, as a main raga or a sub-main raga with elaborate raga alapana, sangathis, neravals and intricate swaraprastharas in the pallavis. »
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Akademi Ratna for Lalgudi G.Jayaraman
Winning mind share, the Bombay Jayashri way
Music is a continuous process
of learning
Music has to be approached
with modesty
Avoid easy route to concert stage
When they bow,Ganesh & Kumaresh sound distinct
Understand the science of music
Future of voice science in India
Listen to Tiruppavai
Akademi Ratna for Lalgudi G.Jayaraman
Winning mind share, the Bombay Jayashri way
Music is a continuous process
of learning
Music has to be approached
with modesty
Avoid easy route to concert stage
When they bow,Ganesh & Kumaresh sound distinct
Understand the science of music
Future of voice science in India
Listen to Tiruppavai




